Lesson 21: Triad Inversions

Let's review a little of what we learned about triads in some previous lessons. In Lesson 15 you learned that a triad is a three-note chord in which there is a root, a third and a fifth. In Lesson 17 you learned about four different kinds of triads: major, minor, augmented and diminished. You should at this point have a clear understanding of the structure of triads. If you don't, go back and reread those lessons before continuing with this lesson.

In all of the triads you have seen so far, the root has been on the bottom, the third in the middle, and the fifth on top, like this one:        This triad happens to be a C-major triad. We say that the triad is in ROOT POSITION, because the root is on the bottom. If we are in C-major, we would give this triad a Roman numeral 'I'. That's because 'C' is the first note in a C-major scale. Building a triad on the first note of a scale gives us a I-chord. A I-chord in C-major has a 'C', 'E' and 'G.

We can show exactly how the notes are ordered in a triad by indicating the intervals above the bass (bottom) note. For example, in the triad above, and indeed with all triads in root position, there is a note three notes above the bass, and a note five notes above the bass. Therefore, to be technically precise, we could call this triad: 

  

The '5' indicates the 'G' which is the interval of a 5th above the bottom note. The '3' indicates the 'E' which is the interval of a 3rd above the bottom note. However, for root position chords,the common practice is to just use the Roman numeral. If you see a chord with a Roman numeral and no small "Arabic" numbers after it, it is a root position chord. So the chord above could be represented by just using the Roman numeral:

  

Here are triads built on the notes of a C-major scale, all in root position. We know they are root position because: 1) there are no small Arabic numbers after the Roman numeral; and 2) the chord is made up of a root, 3rd and 5th with the root on the bottom:

  

 

Remember, we use upper-case Roman numerals to indicate major and augmented triads, and lower-case letters to indicate minor and diminished.

It is possible to "reposition" the chords above so that the root is no longer on the bottom. For example, you could write each one of the chords above in such a way that the 3rd of each chord is on the bottom:

  

The Roman numeral will stay the same for each chord, because the components of each chord (1,3,5) are still present. It's just that now they are in a different order. So how do we indicate this kind of triad, where the same notes exist as for root position chords (1-3-5), but that the 3rd is on the bottom? If you count upward from the bottom note, you will discover that the other notes are a 3rd and a 6th above it:

Such chords are called 1st inversion chords. It is traditional with 1st inversion chords to drop the little '3' after the Roman numeral, and just use the '6'. So the triads shown above would be labeled like this:

  

It is also possible to rearrange root position triads so that the 5th is on the bottom:

  

We use the same Roman numerals as before, to label these triads. The first triad is made up of a C, E and G, and so it gets a Roman numeral 'I', and so on. If you count upward from the bottom note, you will find that the other notes are a 4th and a 6th above it:

Such chords are called 2nd inversion chords. All of the triads of a C-major scale would be labeled like this:

  



Let's sum up what we've learned in this lesson so far:

  • A Root position triad is a triad in which the root is on the bottom. It is labeled with a Roman numeral, with no Arabic numbers after it. Ex:     
  • A 1st inversion triad is a triad in which the 3rd is on the bottom. It is labeled with a Roman numeral, and a small '6' after it. Ex:    
  • A 2nd inversion triad is a triad in which the 5th is on the bottom. It is labeled with a Roman numeral, and a small '6' and '4' after it. Ex:    



Here are some triads properly analyzed. Study each one, and be certain that you understand how each one has been analyzed before trying the quiz:

Notice that in the final example the V-chord has been made major by raising the 3rd. All dominant chords must be major.



Two more points about inversions: All of the examples above have used close spacing. That means that all of the tones are within an octave of each other. But it is possible to spread out the notes into different octaves (open spacing). Also, you will be required to analyze triads in which some of the tones appear more than once in the triad.Look at these triads- they are all 2nd inversion triads:

  

They are all I-chords because they all have a C, E and G. They are all 6-4 chords (2nd inversion) because they all have the 5th (g) as their lowest note. Easy!


Quiz

To take the quiz, click "Quiz" above, then print the resulting page and complete it.

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