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The Dawn of Rock courtesy of hoyhoy.com
Where Did Rock Come From?
- Bluegrass - A subgenere of country music, bluegrass shed it's formative skin and forged a separate identity in the mid-Forties when bandleader Bill Monroe altered the complexion of "hillbilly" music. Monroe fused country, blues, jazz, gospel, and Celtic folk into an unified style.
- Boogie-Woogie - A style of piano playing that features a "hot" rhythm based on eight-to-the-bar figures with the left hand. The style is believed to have originated in Kansas City with pianists such as Pete Johnson and Joe Turner. The term came from "booger-rooger" which was an expression for a "hot" party or musical good time, used by Texas Twenties country bluesman Blind Lemon Johnson. Through blues guitarists such as Albert Smith ("Guitar Boogie") and John Lee Hooker ("Boogie Chillin") the phrase came to refer to guitar playing, too.
- Gospel - The term "gospel music" was probably coined in the Twenties by Thomas Dorsey, a Georgia blues singer who was converted and began composing religious songs in popular styles. Originally denounced, it caught on with the black sanctified church and has evolved along side black secular music. Gospel singing is rooted in the ornate style of the old spirituals and in the impassioned "testifying" declamation of Baptist preachers. The close-harmony group vocals of the late forties and fifties gospel - with the group responding to and urging on the soaring, improvising lead singer had many links to the acapella and and doo-wop of the fifties.
Gospel Music
History of Gospel Music
Gospel Music Archives
Black Gospel Quartets
The Gospel Highway
Jazz - A music that depends primarily on improvisation and reflects a long tradition of changing ideas of structure, freedom and swing. The first music known as jazz was the New Orleans style ("Dixieland"), in which a small group would improvise collectively on a well known tune. in the Twenties trumpeter Louis Armstrong and others began to separate the soloists from the accompaniment, each permitted different degrees of freedom -an idea that ruled jazz for the next few decades through the harmonic and rhythmic revolutions of the big bands of the Thirties swing era, (Duke Ellington, Fletcher Henderson, Benny Goodman), bee-bop in the late Forties (Charlie Parker, Dizzy Gillespie) and "cool" and hard bop and modal playing in the Fifties (Miles Davis, Thelonius Monk)
Golden Age of Jazz - Photos
The Jazz Page
Jazz Links
Jazz Roots
Rhythm and Blues - Rhythm and Blues is a descriptive term that has never had a clear single meaning. In it's broadest sense, R&B denotes black pop music. However, as black pop music changes, it has become a term that is often defined by whatever black musical style it is attached to at a given point in time, rather than the other way around.
In the beginning it was a renaming of "race" music. and later gave way to soul, funk, disco and simply "black" styles. small rhythm and blues combos revved up Tin Pan Alley pop tunes with rhythms derived from swing jazz and vocals reflecting the blues. They linked the big band jump blues of the Forties with early rock and roll. Early rock and roll hits were often covers by white singers of R&B hits, like Elvis Presley's version of Roy Brown's "Good Rockin' Tonight" or Bill Haley and His Comets cleaned-up take on Big Joe Turner's "Shake, Rattle and Roll."
